[Plura-list] The art of Daniel Danger

Sun Jul 23 12:13:06 EDT 2023

Read today's issue online at (with the accompanying artwork!): https://pluralistic.net/2023/07/23/but-i-know-what-i-like/

Today's links

* The art of Daniel Danger: The best thing I saw at Comic-Con.

* Hey look at this: Delights to delectate.

* This day in history: 2003, 2008, 2013, 2018

* Colophon: Recent publications, upcoming/recent appearances, current writing projects, current reading

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🧑‍💼 The art of Daniel Danger

There's this behavioral economics study that completely changed the way i thought about art, teaching, and critique: it's a 1993 study called "Introspecting about Reasons can Reduce Post-Choice Satisfaction" by Timothy D Wilson, Douglas J Lisle, Jonathan Schooler, Sara Hodges, Kristen Klaaren and Suzanne LaFleur:

https://www.researchgate.net/publication/240281868_Introspecting_about_Reasons_can_Reduce_Post-Choice_Satisfaction

The experimenters asked subjects to preference-rank some art posters; half the posters were cute cartoony posters, and the other half were fine art posters. One group of subjects assigned a simple numeric rank to the posters, and the other had to rank them and explain their ranking. Once they were done, they got to keep their posters.

There was a stark difference in the two groups' preferences: the group that had to explain their choices picked the cartoony images, while the group that basically got to point at their favorite and say, "Ooh, I like that!" chose the fine art posters.

Then, months later, the experimenters followed up and asked the subjects what they'd done with the poster they got to take home. The ones who'd had to explain their choices and had brought home cartoony images had thrown those posters away. The ones who didn't have to explain what they liked about their choice, who'd chosen fine art, had hung them up at home and kept them there.

The implication is that it's hard to explain what makes art good, and the better art is, the harder it is to put your finger on what makes it so good. More: the obvious, easy-to-articulate virtues of art are the less important virtues. Art's virtues are easy to spot and hard to explain.

The reason this stuck with me is that I learned to be a writer through writing workshops where we would go around in a circle and explain what we liked and didn't like about someone's story, and suggest ways to make it better. I started as a teenager in workshops organized by Judith Merril in Toronto, then through my high-school workshop (which Judy had actually founded a decade-plus earlier through a writer in the schools grant), and then at the Clarion workshop in 1992. I went on to teach many of these workshops: Clarion, Clarion West and Viable Paradise.

So I've spent a lot of time trying to explain what was and wasn't good about other peoples' art (and my own!), and how to make it better. There's a kind of checklist to help with this: when a story is falling short in some way, writers roll out these "rules" for what makes for good and bad prose. There are a bunch of these rulesets (think of Strunk & White's *Elements of Style*), including some genre-specific ones like the Turkey City Lexicon:

https://www.sfwa.org/2009/06/18/turkey-city-lexicon-a-primer-for-sf-workshops/

A few years ago, I was teaching on the Writing Excuses cruise and a student said something like, "Hey, I know all these rules for writing good stories, but I keep reading these stories I really like and they break the rules. When can *I* break the rules?"

There's a stock answer a writing teacher is supposed to give here: "Well, first you have to master the rules, then you can break them. You can't improvise a jazz solo without first learning your scales."

But in that moment, I thought back to the study with the posters and I had a revelation. These were "rules" at all - they were just things that are *hard* and therefore easy to screw up. No one really *knows* why a story isn't working, but they *absolutely* know when it doesn't, and so, like the experimental subject called upon to explain their preferences, they reach for simple answers: "there's too much exposition," or "you don't foreshadow the ending enough."

There are *lots* of amazing stories that are *full* of exposition (readers of mine will not be shocked to learn I hold this view). There are *lots* of twist endings that are *incredible* - and not *despite* coming out of left field, but *because* of it.

The thing is, if you can't say what's wrong, but you know *something* is wrong, it's perfectly reasonable to say, "Well, why don't you try to replace or polish the things that are hardest to do right. Whatever it is that isn't working here, chances are it's the thing that's hardest to make work":

https://locusmag.com/2020/05/cory-doctorow-rules-for-writers/

But if I could change one thing about how we talk about writing and its "rules," it would be to draw this distinction, characterizing certain literary feats as easier to screw up than others, having the humility to admit that we just don't know what's wrong with a story, and then helping the writer create probabilistically ranked lists of the things they could tinker with to try and improve their execution.

Which is all a very, very long-winded way to explain why I bought a giant, gorgeous art-print at Comic-Con this weekend, even though I have nowhere to hang it and had sworn I would absolutely not buy any art at the con.

I was walking the floor, peeking into booths, when I happened on Daniel Danger's booth (#5034, if you're at the con today), and I was just fuckin' *poleaxed* by his work.

http://www.tinymediaempire.com/

Now, see above. I can't tell you *why* I loved this work so much (and *that's OK*!), but boy oh *boy* did it speak to me. I just kind of stood there with my mouth open, slowly moving from print to print, admiring works like "It stopped being about the panic."

https://tinymediaempire.myshopify.com/products/2022-sdcc-it-stopped-being-about-the-panic-v4

On the surface, this is moody, post-apocalyptic stuff, heavily influenced by classic monster/haunter tropes, but it's shot through with hope and renewal and the sense of something beautiful growing out of the ashes of something that has toppled. There's real "(Nothing But) Flowers" energy in "Headlight in the path of":

https://tinymediaempire.myshopify.com/products/sdcc2023-headlight-in-the-path-of-v2

Danger isn't just a *very* talented artist, he's also an *extremely* talented craftsman. As a recovering pre-press geek, I was (nearly) as impressed by the wild use of spot color and foils as I was by the art, like in "We are no longer able to protect you":

https://tinymediaempire.myshopify.com/products/sdcc-2022-we-can-no-longer-protect-you-forever-v3

Danger himself calls this work "weird sad hyper-detailed artwork of dreamy buildings of ghosts and trees," which is a very apt description of this work, as you can see in "Made of smoke and chains":

https://tinymediaempire.myshopify.com/products/made-of-smoke-and-chains-mist-preorder

So I looked at this stuff and sternly reminded myself that there was no way I was going to buy any art at the con. Then I walked away. I got about two aisles over when I realized I had to go back and ask permission to take some pictures so I could put a little link to Danger in my blog's linkdump, which he graciously permitted:

https://www.flickr.com/search/?sort=interestingness-desc&safe_search=1&tags=danieldanger&min_taken_date=1687478400&max_taken_date=1690156799&view_all=1

But then I got *all the way ass over to the other ass end of the convention center* and I realized I had to go back and buy one of these prints. Which I did, "To all who come to this happy place," because fuckin' *wow*:

https://tinymediaempire.myshopify.com/products/sdcc2023-this-happy-place-v6-foil

This was unequivocally the best thing I saw at this year's SDCC, but I also got some very good *news* while there, namely, that Emil Ferris's long, long-awaited *My Favorite Thing Is Monsters Vol 2* is finally on the schedule from Fantagraphics:

https://www.fantagraphics.com/collections/emil-ferris/products/my-favorite-thing-is-monsters-book-two

It's coming out in April, which gives you plenty of time to read volume one, which I called, "a haunting diary of a young girl as a dazzling graphic novel":

https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/

If you are or were a monster kid or a haunter, this is your goddamned must-read of the summer. It's a fully queered, stunning memoir for anyone whose erotic imagination intersected with *Famous Monsters of Filmland*.

(Also, if you're that kind of person and you're in the region, you should know about Midsummer Scream, a *giant* haunter show in Long Beach; I'll be there on Sunday, July 30, for a panel about the Ghost Post, the legendary Haunted Mansion puzzle-boxes I helped make:

https://midsummerscream.org/

Now *Favorite Thing* book two was the best *news*, but the best *experience* was watching Felicia Day get her Inkpot Award and give a moving speech:

https://en.wikipedia.org/wiki/Inkpot_Award

And then learning that Raina Telgemeier also got an Inkpot; I love Raina's work so much:

https://memex.craphound.com/2016/10/04/ghosts-raina-telgemeiers-upbeat-tale-of-death-assimilation-and-cystic-fibrosis/

To cap yesterday off, I also ran into Chuck Tingle, which is as fine a capstone to a successful con as anyone could ask for:

https://www.flickr.com/photos/doctorow/53065500076/in/dateposted/

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🧑‍💼 Hey look at this

* We regret this bike lane https://missionlocal.org/2023/07/valencia-street-signage-changed-by-cyclist/

* Why the Internet Needs a Data Portability Ecosystem https://techpolicy.press/why-the-internet-needs-a-data-portability-ecosystem/

* Explore the dark side of Silicon Valley with Red Team Blues https://petewarden.com/2023/07/21/explore-the-dark-side-of-silicon-valley-with-red-team-blues/

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🧑‍💼 This day in history

#20yrsago AnarchistU: Toronto free school https://web.archive.org/web/20030801233908/https://anarchistu.widge.org/bin/view/Anarchistu

#15yrsago XKCD role-players reenact “I Love the World” strip https://www.youtube.com/watch?v=YvGhEJyfC7U

#15yrsago Racist cop uses UK Terrorism Act to detain mixed-race family and take away their disabled child https://news.bbc.co.uk/2/hi/uk_news/england/7520598.stm

#15yrsago MPAA wants to randomly break your home theater depending on which channel you’re watching https://www.eff.org/deeplinks/2008/07/eff-opposes-mpaas-selectable-output-control-fcc-pe

#15yrsago China’s neo-con nationalist youngsters go online https://www.newyorker.com/magazine/2008/07/28/angry-youth

#15yrsago CNN reporter says bad things about the TSA, gets hassled every time he flies https://web.archive.org/web/20080718134827/https://www.rawstory.com/news/2008/CNN_reporter_wants_off_terror_watch_0716.html

#15yrsago Why is the TSA taking out nipple rings and pantsing amputees? https://web.archive.org/web/20080725112506/http://cbs2chicago.com/investigations/xrated.security.screenings.2.777423.html

#10yrsago UK Internet censorship plan no less stupid than it was last year https://www.theguardian.com/technology/2012/nov/13/children-porn-starbucks

#10yrsago Get ready for the big bang as 3D printing patents expire https://qz.com/106483/3d-printing-will-explode-in-2014-thanks-to-the-expiration-of-key-patents

#10yrsago Some phones can be pwned by sending two SMS messages to them https://www.nytimes.com/2013/07/22/technology/encryption-flaw-makes-phones-possible-accomplices-in-theft.html

#10yrsago Woo with a body-count: measles epidemic follows anti-vax scare https://science.slashdot.org/story/13/07/22/0319243/fifteen-years-after-autism-panic-a-plague-of-measles-erupts

#10yrsago Legally binding “buzz-off” letters for debt collectors https://www.consumerfinance.gov/about-us/blog/debtcollection/

#10yrsago Footage of Haunted Mansion’s Hatbox Ghost finally surfaces after 44 years https://www.youtube.com/watch?v=VnERBLhd5ac

#5yrsago Florida youth voter registration up 41% since Parkland shooting https://www.miamiherald.com/news/politics-government/article215169905.html

#5yrsago Google DRM for Email can be disabled by ticking a few boxes in Firefox https://sysadmin.simmons.ai/2018/06/24/archiving-self-destructing-gmail-with-firefox/

#5yrsago Greedy landlords create a mass-extinction event in Burbank’s indie paradise https://www.laweekly.com/saving-magnolia-park-why-l-a-s-coolest-shopping-area-is-in-danger/

#5yrsago Disgraced charter school exec pleads guilty to criminal money laundering, resigns from LA school board https://www.latimes.com/local/lanow/la-me-edu-ref-rodriguez-resigns-20180722-story.html#

#5yrsago As Chinese P2P lending bubble bursts, “investors” mob Chinese sports-stadiums used as temporary processing centers https://www.ft.com/content/75e75628-8b27-11e8-bf9e-8771d5404543

#5yrsago Important victory in Public Resource’s tireless fight to make the law free for everyone https://www.techdirt.com/2018/07/20/appeals-court-tells-lower-court-to-consider-if-standards-incorporated-into-law-are-fair-use-could-have-done-more/

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🧑‍💼 Colophon

Today's top sources:

Currently writing:

* A Little Brother short story about DIY insulin PLANNING

* Picks and Shovels, a Martin Hench noir thriller about the heroic era of the PC. FIRST DRAFT COMPLETE, WAITING FOR EDITORIAL REVIEW

* The Bezzle, a Martin Hench noir thriller novel about the prison-tech industry. FIRST DRAFT COMPLETE, WAITING FOR EDITORIAL REVIEW

* Vigilant, Little Brother short story about remote invigilation. ON SUBMISSION

* Moral Hazard, a short story for MIT Tech Review's 12 Tomorrows. FIRST DRAFT COMPLETE, ACCEPTED FOR PUBLICATION

* Spill, a Little Brother short story about pipeline protests. ON SUBMISSION

Latest podcast: Let the Platforms Burn: The Opposite of Good Fires is Wildfires https://craphound.com/news/2023/07/16/let-the-platforms-burn-the-opposite-of-good-fires-is-wildfires/

Upcoming appearances:

* Decentralization of the Internet Research Group (IETF-117)
https://dirk-kutscher.info/events/dinrg-ietf-117/

* Midsummer Scream (Long Beach), Jul 30
https://midsummerscream.org/

* Armadillocon (Austin), Aug 4-6
https://armadillocon.org/d45/

* Defcon (Las Vegas), Aug 10-13
https://defcon.org/

* An Evening with VE Schwab (Des Moines), Oct 2
https://www.thecabinidaho.org/all-events/ve-schwab

Recent appearances:

* Cannibal Corp (New Models podcast)
https://soundcloud.com/newmodels/private-cannibal-corp-w-cory-doctorow-nm66

* UCL Peter Kirstein Lecture
https://www.youtube.com/watch?v=Yn47ptAtVH0

* The Homeless Romantic
https://www.youtube.com/watch?v=wXn9wy5bHq0

Latest books:

* "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com. Signed copies at Dark Delicacies (US): and Forbidden Planet (UK): https://forbiddenplanet.com/385004-red-team-blues-signed-edition-hardcover/.

* "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

* "Attack Surface": The third Little Brother novel, a standalone technothriller for adults. The *Washington Post* called it "a political cyberthriller, vigorous, bold and savvy about the limits of revolution and resistance." Order signed, personalized copies from Dark Delicacies https://www.darkdel.com/store/p1840/Available_Now%3A_Attack_Surface.html

* "How to Destroy Surveillance Capitalism": an anti-monopoly pamphlet analyzing the true harms of surveillance capitalism and proposing a solution. https://onezero.medium.com/how-to-destroy-surveillance-capitalism-8135e6744d59 (print edition: https://bookshop.org/books/how-to-destroy-surveillance-capitalism/9781736205907) (signed copies: https://www.darkdel.com/store/p2024/Available_Now%3A__How_to_Destroy_Surveillance_Capitalism.html)

* "Little Brother/Homeland": A reissue omnibus edition with a new introduction by Edward Snowden: https://us.macmillan.com/books/9781250774583; personalized/signed copies here: https://www.darkdel.com/store/p1750/July%3A__Little_Brother_%26_Homeland.html

* "Poesy the Monster Slayer" a picture book about monsters, bedtime, gender, and kicking ass. Order here: https://us.macmillan.com/books/9781626723627. Get a personalized, signed copy here: https://www.darkdel.com/store/p2682/Corey_Doctorow%3A_Poesy_the_Monster_Slayer_HB.html#/.

Upcoming books:

* The Internet Con: A nonfiction book about interoperability and Big Tech, Verso, September 2023

* The Lost Cause: a post-Green New Deal eco-topian novel about truth and reconciliation with white nationalist militias, Tor Books, November 2023

This work - excluding any serialized fiction - is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla
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